Yo, Beetlejuice Beetlejuice is back, man. Like, Tim Burton decided it was time to dive into that crazy underworld again, and let me tell you, it’s one wild ride. Is it good? Well, it’s kinda like when you light up and expect a chill buzz, but then, boom, it’s like you’re riding a rollercoaster through a haunted house. Sometimes fun, sometimes you’re like, “Dude, what is even happening?”
The Plot: Too Much? Yeah, Probably
Okay, so the movie picks up with Lydia Deetz, who’s all grown up now and super goth (surprise, surprise). Her daughter, Astrid, is this rebellious teen, and naturally, she stumbles into some Beetlejuice chaos. We’re talking afterlife cops, ghosts with shrunken heads running around, and Beetlejuice trying to stir up trouble with his ex-wife Delores. Yeah, bro, the dude’s got an ex-wife now.
But, like, there’s so much happening. You’ve got Astrid’s teen drama, Lydia’s weird family stuff, Beetlejuice’s revenge plot, and even some dead people hanging out in their very own afterlife department. It’s like Tim Burton was trippin’ and threw every idea he had into this pot. Kinda hard to keep up, honestly. It’s like someone packed a bowl, forgot they already hit it, and just kept packing.
Keaton: The Man, the Myth, the Betelgeuse
Alright, man, Michael Keaton is back as Beetlejuice, and he’s still got it. He’s like that one dude who can always pull off the craziest stuff, and you’re like, “How are you still this cool?” Keaton’s still rocking that manic energy, spitting out jokes faster than I can hit a bong. The guy doesn’t miss a beat, and every time he shows up, things just get wilder.
He’s got that perfect mix of chaos and comedy, you know? Like, one minute he’s making you laugh, and the next, you’re thinking, “Wait, is this guy dangerous?” But in this movie, he’s on screen a lot more than the first one. Like, it’s awesome at first, but after a while, you’re like, “Okay, man, maybe chill out for a second.” It’s kinda like when your buddy just keeps talking and talking, and at some point, you’re just nodding along.
The Visuals: Classic Burton Madness
One thing that’s undeniable? Tim Burton still knows how to build a trippy world. The afterlife is this twisted playground where everything’s weird but also kinda rad. It’s like looking at one of those psychedelic posters where everything’s melting but in a cool way. You’ve got these practical effects that make it feel super old-school, like real people made it, not some CGI nonsense.
It’s got that gnarly, handmade feel that Burton’s known for. You can tell he’s still down to experiment with freaky puppets, funky sets, and weird creature designs. Like, at one point, I swear there are a bunch of shrunken heads just chilling in the background, and you don’t even question it. That’s the vibe, man. The world’s so strange that you’re just rolling with whatever they throw at you.
But, honestly? The movie’s so packed with stuff that sometimes you’re like, “Wait, what did I just see?” It’s all going so fast that you kinda want to press pause and soak it all in. I guess that’s the problem when you’ve got too much good stuff going on — it’s a feast for the eyes, but dude, I need a snack break.
The Humor: Hits and Misses, Man
Beetlejuice has always been about that wacky, off-the-wall humor, and there’s plenty of that in here. Keaton’s pulling out all the stops — slapstick, dirty jokes, you name it. And when it’s good, it’s good. Like, you’ll be laughing so hard you’ll spill your popcorn.
But here’s the thing: sometimes it feels like they’re trying a little too hard. Like, they want you to laugh at everything, and it gets kinda exhausting. It’s like when your friend tells a hilarious joke, and you’re dying, but then they keep adding onto it, and you’re like, “Dude, it was funny the first time. Let it be, man.”
They also bring back some of the iconic moments from the original. You’ll hear that Danny Elfman theme kick in, and you’ll be like, “Yessss, the nostalgia!” But after a while, you start realizing they’re leaning on that old stuff a bit too much. Like, c’mon, I’ve already seen the banana boat thing. Give me something new!
What Totally Works: The Nostalgia Trip
Look, if you loved the original Beetlejuice, you’re gonna get a kick out of this one. Seeing Keaton back in action, watching Lydia deal with her daughter, and getting sucked back into the afterlife craziness — it’s like meeting up with old friends. Tim Burton’s still got that wild imagination, and for that alone, it’s worth checking out.
There’s just something about Burton’s style, man. You know you’re in his world the moment the movie starts. Even if the story gets kinda cluttered, the visuals and the quirky energy will keep you engaged. It’s fun. It’s dark. It’s like Burton took a hit, stared into space, and said, “Let’s make something weird again.”
What’s Kinda Off: Too Many Moving Parts, Dude
The biggest problem with Beetlejuice Beetlejuice? There’s just too much happening. Instead of focusing on a simple, crazy plot — like in the first one, where Beetlejuice was just trying to scare a family out of their house — this one’s juggling way too many storylines. It’s a little all over the place, like they didn’t know when to stop adding ideas.
You’ve got the drama between Lydia and her daughter, Beetlejuice’s ex, the police force in the afterlife, and, of course, Astrid’s teen romance. By the time it all wraps up, you’re like, “Wait, what was the point of all that again?” It’s kinda like a trip where you end up somewhere completely different than where you started, and you’re not really sure how you got there.
Final Thoughts: Light It Up, But Don’t Expect a Masterpiece
At the end of the day, Beetlejuice Beetlejuice is fun. It’s messy, chaotic, and definitely not as tight as the original, but it’s still a good time. You’ll laugh, you’ll be confused, and you’ll probably walk out wondering if Tim Burton is just messing with us all.
It’s one of those movies where you don’t need to think too hard — just sit back, munch on some snacks, and enjoy the ride. Is it perfect? Nah. But if you’re in the mood for some weird, nostalgic fun, it’s worth a watch. Just don’t expect it to blow your mind… unless you’re already a few hits in, then, yeah, it might.
