Cannabis Corpse Officially Disbands After 19 Years, Concluding a Unique Era in Death Metal

Richmond, Virginia – The cult-favorite weed-themed death metal band, Cannabis Corpse, has officially announced their disbandment after 19 years of activity. The news, confirmed via social media on October 16, 2025, marks the end of an era for a band that carved a unique niche in the extreme music landscape with their blend of technical death metal and cannabis-infused humor.

A Blazed Trail Comes to an End

In a brief but heartfelt statement shared across their official platforms, the band confirmed their decision to cease operations. “After 19 years of blazing the path of weed-soaked death metal, Cannabis Corpse will be hanging it up,” the statement read. “We want to thank every fan who came to a show, bought a record, or lit up in our honour. It’s been a wild trip — see you in the smoke clouds beyond.” Reports indicate the disbandment was amicable, with no internal drama cited as the cause, simply a natural conclusion after nearly two decades.

The Genesis of Ganja-Fueled Death Metal

Formed in Richmond, Virginia, in 2006, Cannabis Corpse was the brainchild of brothers Philip “Landphil” Hall and Josh “HallHammer” Hall. Phil Hall, also a prominent figure in crossover thrash with bands like Municipal Waste and Iron Reagan, along with his brother Josh, initially conceived the band’s name as a parody of the iconic death metal act Cannibal Corpse. While their name and lyrical themes revolved around cannabis culture, their musical output was far from a mere joke. Cannabis Corpse delivered complex and brutal death metal, often paying homage to the genre’s progenitors while humorously twisting their album and song titles. This distinctive approach, combining impressive musicianship with stoner-themed wordplay, allowed them to stand out in the underground music scene.

A Discography Ripe with Riffs and Puns

Over their 19-year career, Cannabis Corpse released a substantial body of work, including six full-length LPs and two EPs. Their discography includes seminal albums such as “Blunted at Birth” (2006), “Tube of the Resinated” (2008), “Beneath Grow Lights Thou Shalt Rise” (2011), “From Wisdom to Baked” (2014), “Left Hand Pass” (2017), and their final LP, “Nug So Vile” (2019). Beyond their studio albums, the band also made a notable appearance in the 2009 BBC political satire film “In the Loop,” showcasing their unique charm off-stage as well. Their musical prowess was further recognized when they were tapped as the studio band for Six Feet Under’s 2015 album “Crypt of the Devil”. Over the years, the band featured a rotating but talented lineup, including musicians associated with bands like Gwar, The Black Dahlia Murder, and Six Feet Under.

Impact and Fanfare

The disbandment has resonated with fans and the wider music community, who have taken to social media to express their appreciation for the band’s contributions. Cannabis Corpse is remembered not just for their cannabis-centric themes, but for their genuine musicianship and commitment to crafting high-quality death metal that was both technically impressive and undeniably fun. They successfully navigated the line between parody and serious musicianship, proving that a humorous concept could be backed by substantial talent. As a trending topic in related music news, their farewell signals the close of a chapter for many in the death metal community who embraced their distinctive style.

The Final Haze

As Cannabis Corpse officially hangs up their instruments, their legacy is cemented as a band that fearlessly combined their love for death metal and cannabis culture into a singular, enduring sound. While their journey as a band has concluded, their catalog of work ensures that their potent blend of brutality and humor will continue to be celebrated by fans for years to come. The news of their disbandment serves as a poignant reminder of the diverse and often unexpected paths taken by artists within the music world, solidifying Cannabis Corpse’s place as a unique and beloved entity in the annals of heavy music.